VOID ( VOID ( POINT ( VOID ) ) )
VOID ( VOID ( POINT ( POINT ) ) )
Throughout the course of this work the last verse within any given sequence predicates and is replicated by the first verse of the following sequence. Nothing changes other than the direction of movement and, of course, the artistic license in how I choose to visualise it. In consequence the forward motion of the first five verses is now portrayed as a backward motion and in the rebound there is a fall or return to the process of creation.
My next conjecture is to assume that rather than descend to its original starting point, the sequence takes a sideways step, moving from ‘zero’ to ‘one’ along the y axis. Just as this reversal prevents boundary breach into the fourth dimension there’s a further need to deny a boundary collapse into nothingness, intimating a zig-zag motion with, for now, the z axis remaining stationary on ‘zero’. Hence the subsidiary conjecture that as verses six to ten descend down the x axis, an equal and opposite limitation will be reached, necessitating a repeating cycle of expansion and contraction with every 10 verses.
The first chapter of five verses inevitably suggests the establishment of a geometrical boundary, leading to the visualisation of a cube or square framework within which is contained the spherical or circular form of the point itself. The second sequence solidifies this idea into a background upon which this process of downward evolution can now be mapped.